
After shadowing professional photographers, I was capable of setting up a studio-esque environment, and by using a black background the editing stages would be made easier, as the black would act as a 'blank canvas' for the merging of galaxy photographs without the hindrance of editing a white background. I adjusted the light frequency to suit the surroundings, as the black would act differently to light than a white background and by using a Sekonic L-3J8 I was able to time the lights to flash in co-ordination to the camera, for which I used my Canon D550 with a 18-135mm lens.
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